Sunday, Luiz Inácio Lula da Silva, better known simply as Lula, won another term as O Presidente of Brazil. Now, this was actually a little surprising to the Anglocentric world, as most seem to have predicted him a goner. And good surprising, I might add; for all his faults, the 81-year-old is not a fascist. But this is not the resurrection-guy I actually want to talk about, even if Brazilian politics led me to discover his most recent effort:
Oh Jimbo Christ, Rosewort of Sharon, Lion of the Jew-hating. You probably needed to shore things up financially since getting booted from parts 2 and 3 of the JHC trilogy. But surely there were better roles out there than the former Brazilian wannabe dictator who also happens to be our wannabe dictator’s BFF. Whilst practically unknown elsewhere – despite being filmed entirely in English – the film has gotten some attention in Brazil due to chip off the ol’ block Flavio Bolsonaro being the far-right candidate opposing Lula in this most recent election. The film is obviously propanganda, and, in keeping with the governing rules of the Latin American right-wing, was produced with the optimum amount of corruption.
But for me, the real significance is that JC is in it. You see, Jimmy used to be a fairly credible actor. Frequency is a gem, a lot of you like that Person of Interest series, and while annoying to admit, Passion was a big deal and Jimmy committed to the bit by going through literal sheol, including (probably) getting hit by lightning. But then began his gradual slide into right-wing nonsense, letting Mel’s stupid (if real) warning about never working in Hollywood again become a self-perpetuating philosophy. Any difficulty he had was not because he played Jesus (cf. Willem Dafoe), but more likely because he caught Christian Persecution Complex (CPC) and became annyoing to work with. And even that not stop him from being in legitimate things like Interest. Yet his transformation into the Michael Bay version of Kirk Cameron has accelerated with such rightwing slop as Infidel (2019), Sound of Freedom (2023) and now this gem. It is a natural fit for Caviezel, an Evangelical’s Catholic, to play a politician who ran on being the same.
Obviously we have not seen it, but given that its subject is probably dying in a hospital again and his son is on the run, we are now sorely tempted to. Sadly, the film does not seem related to the corruption alleged in the current criminal case against Flavio, because that would be fitting.





